Virginie Herz on photography, Amobe Mevegue on music, Sean Rose on exhibitions, Jessica Michault on fashion, Lisa Nesselson on cinema and Sylvia Whitman on literature... Every evening, our culture critics give you the lowdown on the latest trends. Monday to Friday at 8.50 pm.
The haute couture fashion shows ended yesterday and our fashion expert is here to tell us all about the latest news and biggest trends to come out of the spring/summer 2013 season.
"Giotto e compagni", that is "and companions", albeit not a retrospective, is a small but meaningful show dedicated to the work of the most important painter of the end of the 13th century and first three decades of the 14th century. This Florentine painter is the greatest Trecento artist because he was a precursor of Italian Renaissance…More Italian art at the Louvre but from a different period. Michelangelo Pistoletto has been invited by the Louvre and give you an urban date on May, 18th.
This week’s Fotofocus takes us around the world in children’s journeys to school, with a UNESCO-sponsored exhibition on the long walk to universal education. Meanwhile, love in all its guises is the theme for a show at the Belgian Cultural Centre in Paris, and André Morain takes us behind the scenes in 40 years of famous faces.
From a search for the lost tastes of France, to a closer look at what happens in our gut, our book critic Sylvia Whitman looks at some of the tastiest writing around.
In the early 1960s, during the Cold War, and way before you could just
type into a search engine "build rocket at home + launch into space," a
group of university students started their own space program. This
completely forgotten episode in Lebanese history is evocated with
talent in the documentary "The Lebanese Rocket Society."
As some politicians in France criticize Germany’s economic policies, the Louvre celebrates German art, "On Germany" is a show retracing the German from 1800 to 1939, i.e. from Romanticism to 20th avant-garde: Expressionism and New Objectivity on the eve of the Second World War. The title of the exhibition is borrowed from Swiss writer Germaine de Staël who wrote an essay on the identity of the Germans, – the Germanic soul.
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